It's in Everyone of Us

I

 
I first heard this song during my initial summer of 6-9 Montessori teacher training in 2001. I was moved and left speechless; it spoke to me in many ways, on many levels. Now, more than a decade on, I am sharing the song and slideshow in preparation for this year's International Day of Peace on September 21, 2013. Enjoy and Blessings!

Click below to listen and watch:

"It's in Everyone of Us" - David Pomeranz

Our Planet, Our Home

As a child, my father often led me on an adventure in our backyard. On warm, summer days we would lay prone in the spiky grass of our lawn and inhale the sweet, humid smell of the earth.

We would next turn our eyes downwards into the grass to see what we could. Like a camera whose lens takes in more and more detail as it extends towards its focal object, so too did our eyes adjust. Gradually, the world above became less of our concern as we looked for surprises in the world beneath us.

Our eyes first met the brilliant yellow sunbursts of dandelion flowers, and their sisters’ ornate globes of seeds ready for dispersal. Then the feathery and torn blades of grass, the rich green of their stems. Below that, mounds of earthworm castings, wormholes, and sometimes the worms themselves – quiet and slippery as they undulated along in compressed coils, springing slowly forward. We saw ants, big and small, carrying food to their young and trash from their nests, as well as the occasional robin’s egg shell, lodged between the grassy stems and partly filled with dew.

This was a world unknown to me, but one in which I came to love because of its hidden richness and secret activity. Down there, in the grass and truly close to nature, I could feel the soil breathing and imagined the plants growing. I embraced the microcosm beneath my gaze for the connections it highlighted; how there was no part that I witnessed that was not unrelated to the whole.

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Our Planet, Our Home: A Gaian Learning Material by Philip Snow Gang and Marsha Snow Morgan is a work that explores the relationships found between all actors in this cosmological dance. Drawing upon ecological principles and systems theory, participants use arrows to make unique and authentic connections between the pictures provided:

- a Spiral Galaxy

- the Sun

- the Earth

- images symbolizing the Atmosphere, Hydrosphere, Lithosphere and Biosphere - the Biogeological cycle

- Soil

- the Five Kingdoms (Bacteria, Protoctista, Fungi, Plantae and Animalia)

- an image symbolizing Humans

- and seven cards representing aspects of Human Activity (Transportation, 

  Shelter, Clothing. Communication, Food, Play, and Love).

On a rug or tabletop with plenty of space, children and adults alike can collaborate to see how the components relate to the each other. It is a dynamic activity, filled with excited and spontaneous discussions as realizations are made and connections explored.

This is not a prescriptive work, but one that allows for wonderment and curiosity to be the drivers. There is room for numerous repetitions, each with its own new set of discoveries.

Our Planet, Our Home suggests a holistic approach to science education, one that emphasizes how things are related and not concepts held exclusively in isolation. It is a powerful work, one that asks us to open our eyes and minds to new connections and novel possibilities.

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Click HERE to Order

For more information, check out:

M. Ed. Montessori Integrative Learning (Endicott College) 

and

The Institute for Educational Studies (TIES)

In Praise of Teachers: Artists, Alchemists and Advocates

When we speak of the fabric of our society, no one besides a child's family has the power and potential to transform a child's life like a teacher does. Teachers perform the essential role of weaving together social mores, cultural practices and multiple ways of understanding to create a tapestry that tells our story. This work is an ever-expanding creation, made newly rich and complex as each one of us - students all - contributes our experiences and perspectives.

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We are artists. We express our love for life and living through the content that we teach - in both the method and materials we share. In an ever increasing search to meet the needs of each child, we transform the classroom environment and the content we study so that everyone might have a personal and meaningful relationship with learning.

We are alchemists. We constantly balance the needs of one child with the needs of another; we cater to each individual, in service of all. Throughout the day, opportunities are made available, and prescriptions are given. In each action resides the scaffolding for more and more complex educational options. Our compass is the warmth and growing light of excitement which we all feel when working with passion and delight. 

We are advocates. We greet the children with our hearts before we do so with our minds. To move too quickly, to rush head-long into the delivery of content, is to create a space where the teacher is merely performing - dispensing information, regardless of its relevance to or resonance with the children. We work to know both the head and heart of each child. This connection allows for the deep and purposeful exploration of our universe, powered by a trust and faith in each other.

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Our work and the work of our students is not static or passive. Rather, ours is a rich and vibrant world, one where originality and creativity put young thinkers on the edge of new understandings. We are champions of joy and engagement. 

On the Day You Were Born

 

Many of the stories that we tell our students and the cultural lessons that we share are our part of our collective oral tradition – they belong to all of us. They are of the Earth and we are of the Earth. These stories resonate with us because we have lived them, experienced them first-hand as fellow passengers on this planet.

Like stories once passed down for generations and now seldom retold, the sense of intimacy present in these tales can be lost when not repeatedly shared with children. It is essential that we regularly return to this connection, to remind and refresh us all of where we came from and how we are all related – to each other, to the Earth, and the universe.

The atoms that fuel the energy of the Sun, that form the water in our seas, that build the cells that scaffold the tallest trees, and allow for our brains to make sense of what we perceive all can be traced back to stardust. They and we are one.

In On the Day You Were Born by Debra Frasier, one’s scientific way of knowing merges with the spiritual. Through gorgeously rendered paper collages and poetic text, the story tells the tale of each human’s journey from within the womb to the world outside – all the while speaking of the patterns and rhythms of nature that have always been. It is an intimate story that connects us again and again to the greater cosmos.

On each page there are volumes being said – the words speak like pictures and the illustrations root you to the world. Each conveys just enough to allow for the mind to wonder and make connections.

Following the story, there are additional pages that explore and illuminate the science behind each illustration. Each description dovetails nicely with the lessons we share in a Montessori environment: the Universe Story, the Work of Water, the Work of Air, Botany, Zoology, The Coming of People, etc. Children delight and find great comfort in the discovery that the stories we tell and the impressionistic lessons we share are part of the wider collection of knowledge held by others - outside the classroom.

On the Day You Were Born balances our inherent desire to highlight the gifts of each individual child, with the strength found in community. Despite the fabulous uniqueness of each one of us, we need to be sure to celebrate each child’s individuality while underscoring the connections that tie us all together. To only do the former, leaving the latter as an afterthought, teaches children just that: that our connections to others and the universe are to be secondary to the “mighty me”.

Developmentally this can be a challenge. Children can, at times, struggle with balancing their growing sense of self and independence with meaningful relationships with others. This makes sense for young children, as they are hard at work understanding how to get their needs met first and foremost. Those around them can be seen as either helping that process or hindering it.

No matter one’s age, however, in sharing stories like Frasier’s we subtly remind us all that there is more to our lives than meeting our own personal needs and desires. We have a collective history that has relied upon, and a future that now yearns for, our collaboration.

On the Day you Were Born by Debra Frasier

ISBN-13: 9780152579951

More at: www.debrafrasier.com

Seeking Truth in a Time of War: The Pledge of Allegiance in a Montessori Classroom

There is a level of transparency that teachers can create with their students that allows for real and meaningful relationships to develop – a way of being with children that offers Truth a seat at circle. This is no small invitation, for such a guest asks for consistency in practice and humility in spirit.

Montessori educators strive to build spaces that allow children to discover themselves unencumbered by the druthers and opinions of the adults around them. It is the structure inherent to a Montessori classroom, the integrated curricula, the specialized materials, and a holistic view of human development that speaks to the children – not necessarily the beliefs of the guides present in the environment.

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This year, on Constitution Day and later on Veterans Day, I was moved and troubled by our practice of one of the most hallowed habits of an American public school: the Pledge of Allegiance. Each day, from classroom to classroom, students stand and face the flag with a right hand over their heart and recite the Pledge along with children’s voices coming over the PA.

"I pledge allegiance to the Flag

 of the United States of America,

and to the Republic for which it stands,

one Nation under God,

indivisible,

with liberty and justice for all."

In my observations, often the children’s corporate recitation is out of sync with the guiding tempo. In some classrooms, children mumble or mouth half of the words. In others, children visit with their neighbors during the fifteen seconds or so needed to say the Pledge.

As professional educators, if we witness confusion, lack of enthusiasm, or disrespect following a lesson we know to first look inwardly to examine our own teaching practices: Was it the right time? Was it the correct group of children? Was the content appropriate and resonant? Was the material delivered in a way that suited the learners?

In the case of my witnessing children reciting the Pledge I wonder if we need to add an additional question to our meditation:

Should we be doing it at all?

There are routines and patterns that schools develop to create a sense of community and purpose. These are built to be in line with the institution’s grounding philosophy, so to underscore and emphasize what is held as important and meaningful and real. In Montessori classrooms we scaffold our practices - from walking on line, to the gathering of materials, to working with others – in a way that allows for the personal integration of a practice. These routines become held dear because the children can feel their importance – for themselves and for the care of the community.

I recognize that in the lives of public school children the Pledge is a mandated daily activity. I believe, however, that we need to think clearly about how to frame this part of our day; in fact, to create teachable moments using it as a centerpiece: word study, history of the Pledge and the changes to its text over time, nationalism vs. patriotism, civil rights, etc.

In reciting the Pledge:

• What is the educational aim?

• How else might we practice our patriotism?

• In what other ways could we be demonstrating good citizenship?

When it comes to the Pledge of Allegiance, I believe that there is something fundamentally wrong with teaching kids to recite a promise, the meaning of which they do not fully understand.

I believe that in having children participate in the Pledge without an attached frame of reference we are modeling for them that it is okay to just do, and not think about why. I worry that we are engendering a practice of not asking questions, of following directions without disobedience – of being seen but not heard. True learning, of course, happens when we stop and look twice – when what we thought we understood is laid open for further review.

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Authentic Montessori programs work tirelessly to integrate Peace Education into the children’s day, as well as the running of the school; it is part and parcel of what such schools stand for, it is who they are. We need to remember that this is a curriculum of action. It is much more that creating a feeling. It is about fostering an outward way of being grounded in a powerful sense of oneself and one’s connection to the universe.

Our job, as peacemakers, is to do and say the difficult things. It is to question the status quo and hold it up to the light of Truth.

The Winter Solstice

In a Montessori classroom, the opportunities for curricular cross-pollination are many: a teacher’s presentation may lead to deeper questions that enrich and extend; a student-led study may pull from all areas of the curriculum before it feels complete. Each content area is able to influence the others, depending upon the medium required of the educational journey. Working together, the teacher and child use the resources before them to create meaning from their academic investigations.

There is, of course, another plane to this interweaving of curricula - one that lies in the space between the pages of our albums. At times, the studies we embark upon create far more questions than provide answers. While we may be able to label, define, describe, and share some parts of the universe and its rhythms there is still great mystery that leaves us all in awe.

In The Winter Solstice, written by Ellen Jackson and illustrated by Jan Davey Ellis, the search to make sense of one such mystery is beautifully illuminated.

Chronicling ancient people from Europe and North and South America, Jackson and Davey create a feeing for how some of our forebears approached the coming darkness and prepared for it’s hopeful return.

This time of year, as the days get shorter and the air temperatures fall, we all can feel something of a kinship for our ancestors. Can you imagine how the ancients must have approached the changing of the seasons? What practices and beliefs were created to explain the change, and provide for a return to what was hoped for?

Jackson’s writing reads like a whispered story over a fire, while Ellis’ painting places us beside people from many cultures as they share with us their way of knowing. Older students can both grasp the scientific basis for the changing of the seasons, and can marvel at how the ancients grappled with what must have been a very tenuous and scary time each year.

Share this set of vignettes with your students and staff. Allow them to explore that sense of wonder that comes from trying to understand people from the past. Like we do when discussing the Fundamental Needs, each new perspective on the human condition brings the possibility of new depths to our learning.

Enjoy the reading, and Happy Solstice!

The Winter Solstice

Story by Ellen Jackson, illustrations by Jan Davey Ellis

ISBN: 1-56294-722-2

Discover other Winter Solstice related activities bellow:

http://www.ellenjackson.net/winter_61490.htm

Looking for Grace in the Work We Do

The school days of an educator can be varied and unexpected. Some roll smoothly as designed; most, however, have their own rhythm and tempo - despite even the best-laid plans. And, on others, if might feel as if there is an endless series of emergencies to which one constantly responding.

I recently experienced a day when little dramas seemed to fill the hours. While brainstorming with a student about possible alternative choices and the way forward, I found that I was able to withdraw a bit – almost watching our conversation take place from above. I could forecast where our discussion was going, and I knew that I didn’t like where we were headed.

I decided then to shift gears and approach the situation in another way; that is, by focusing on what I was not seeing, not hearing - in short, the heart space hidden by the emotion on the surface.

As I reflect upon that conversation, I am reminded of a time in my youth when I was walking off-trail through the dusty floor of a dense lodgepole pine forest. That day I was very intent on sticking to the bearing that I had cast through the woods, focused on navigating wisely around the trees and boulders that lay in my path so to stay true to my course. My eyes would glance up from map and compass, select a point to walk towards that was in line with my bearing, and I would walk to that mark - repeating the process as each successive waypoint was reached. This I did for hours.

Later that morning, I was awakened by something suddenly between the more sessile things I had been working around. There, in the dappled light of the mid-day sun, stood a young doe and her fawn. The two stood there as if stone, their presence only illuminated by how their breath caught in the rays of the near-vertical light reaching the forest floor. I remember gasping and feeling as if my heart might break open. There, amongst the concentration and vigilance that had filled my morning stood such tremendous beauty, such a powerful sense of belonging.

I lingered for a time, suspended – afraid to move or breathe lest the moment pass to quickly. When I finally did take a step onward it was as if my vision had changed. Everything was more clear, more crisp. In fact, I was no longer drawn to the points along my bearing, but rather to the spaces in-between.

What I realized after my journey through the forest was that for much of the time I was hiking my hyperawareness to my travel plan blinded me to the magic around me.

In our work as educators, do we so focus on the end point that we miss the beauty and possibility present to us in each moment? By focusing on the obstructions, the obstacles and challenges before us, do we invite single-minded vision, resentment and exhaustion?

When we find Grace in our work it is in the space between and around the challenges that task our mortal energies, not merely when we reach a resolution to a particular conflict. In pausing along the way we open up an amazing array of possible connections with the Divine.

The High Rise Glorious Skittle Skat Roarious Sky Pie Angle Food Cake

There are moments in one’s classroom when it just feels right to bring the class together and re-center. Sometimes this is planned for and built into the day. And at others, the spontaneity seems to add magic to what is shared.

I was introduced to The High Rise Glorious Skittle Skat Roarious Sky Pie Angel Food Cake while in 6-9 training over a decade ago. There, instead of the series of presentations that were scheduled, our trainer regaled us with this marvelous tale. We all relaxed and became children again – suddenly immersed in a story that was, at once, fantasy and totally believable.

Since that time I have shared this book with many classrooms, at department meetings, and with my own children. (My kids and I even followed the recipe one lazy summer afternoon. It makes for one special cake!)

It’s easy to see why the book is so attractive. With an engaging story by Nancy Willard and gorgeous illustrations by Richard Jesse Watson, you will be drawn in by the everyday quality of the tale. But, as is often the case, the reader soon realizes that there is more going on that meets the eye.

Share this book with people you love: the students in your classroom, your colleagues, and your children at home. The story – and its underlying message – sticks with you like the sweet memory of a beloved dessert.

Bon appetit!

The High Rise Glorious Skittle Scat Roarious Sky Pie Angel Food Cake

Story by Nancy Willard, Illustrations by Richard Jesse Watson

ISBN: 0-15-201019-X 

Weaving the Cosmos

Imagine a time when our ancestors’ senses were so finely tuned as to keep them constantly alert and watchful and curious; a time when our fossil human relatives had not the distractions or conveniences of today’s world, but lived in and for the moment. 

The knowledge housed in their active animal minds was not, could not, be built from experiences held in isolation. Their very survival demanded that they were constantly learning, always making connections between their natural surroundings, their companions, and the rhythms of their own bodies. For these early humans, they were both of the universe and truly in it - that is, living parts of the flowing and changing cosmos. 

And then, somewhere in our recent history, these closest of ancient human ancestors developed the intellect and desire to learn more beyond what was necessary to satisfy their most immediate physical needs. 

They became conscious.

When a being can cogently reflect upon its own thinking, really exciting things begin to happen: questions emerge, experiments occur, and a sense of place and purpose develop.

Now, some two hundred thousand years or so since our own species first appeared on the planet, we have the chance to purposefully rekindle that ancient way of interacting with the world in our schools. 

In how and what we teach, 

we can share with children their part in 

 - and connection to - the cosmos.

Maria Montessori believed that to teach children was to share with them the fullness of the universe; that it is not solely separate chunks existing independently. Though we are most often housed in linearly designed buildings, we do not have to think, create or teach in boxes. It does not preclude us from creating deeply resonant learning experiences for our students. If anything, such containers highlight the importance of reaching way back, to a way of knowing that involves making connections, and seeing the whole from its parts. Montessori's approach to teaching, and the integrated curriculum she promoted, is designed to allow for such interplay.

 

That we guide children through truly separate content is an illusion.

 Each strand is connected to the others.

The cultural lessons help to frame and connect the classroom community. 

Science...

 ...as described by Math and Geometry.

Social Studies... 

...as described by Language Arts.

Children recognize the connections between subject areas as avenues are opened to them that allow for self-directed inquiry and exploration, as well as opportunities to demonstrate understanding. Knowledge gained from one set of experiences serves as an asset as the children move on to explore parallel studies. Deliberate exposure to distinguishable works, connected to greater themes, deepens the children’s integration of this holistic perspective.

Juxtaposing content awakens new meanings.

We can create an intentional interplay between the disciplines. We can build authentic learning environments through demonstrating the interconnectedness of it all, teachers and students alike living a thirst and quest for understanding.  

 

Many strands...

 

...woven together...

taken as one.

How We Say, What We Say - Part II

In November of 2011, shortly after starting this blog, I created a "wordle" all of the text of the posts to date in an effort to explore how I was saying what I was saying. It was certainly an interesting reflection of my priorities and sensibilities; at least, in how I expressed them at the time.

Now, nearly eight months and eighteen posts later, I have created another graphic upon which to reflect.

Try it out with your own work: www.wordle.net

Building the Pink Tower

 

I was absolutely blown away recently by a trailer to a documentary film project in progress called Building the Pink Tower. What moved in me was the profound joy of learning and love of living as seen through Maria Montessori’s eyes.

I am so grateful to the creative team behind the film and outreach program for adding its voice and vision to the conversation about the education revolution.

Check it out, and spread the word: Building the Pink Tower 

On Circles & Cycles in a Montessori Classroom

 

There is an elegant geometry inherent to our daily lives. This extends beyond the overt energy of our physical surroundings, to that which is embedded within the act of living itself. The systems we work within, the routines we perform, the emotional ether we inhabit – each has a rhythm that is often repetitive and predictable.

Philosophy

Children of a Montessori community, given the power and respect to learn to govern themselves, recognize the circular symmetry of their school day experience. From lessons, to self-directed work cycle, to specials the students chart an arcing course through their time spent in school.

The scope and sequence of lessons and co-curricular experiences that a Montessori teacher brings to the classroom, if truly interdisciplinary, necessarily holds a similar circular form. Students recognize the connections between subject areas as avenues are opened to them that allow for self-directed inquiry and exploration, as well as opportunities to demonstrate understanding. Knowledge gained from one set of experiences serves as an asset as the children move to explore parallel studies. Deliberate exposure to distinguishable works connected to greater themes deepens the children’s integration of this holistic perspective.

As such, both the school day and academic studies take the form of integrated wholes; at times divided into separate units, but always continuously connected through carefully designed scheduling and themes.

It is the conscious tying together of seemingly separate and linear studies, through holistic academic partnerships, that provides a Montessori education with its most precious gift: the child’s ultimate awareness of the ecology of her experience. As educators for peace, this is our paramount responsibility.

Practice

In a Montessori classroom, cycles naturally evolve as the culture of the community develops. This is first rooted in the meaningful ways in which the children’s environment is prepared. As the students become more comfortable with the dedicated areas of the classroom and the patterns of traffic flow within it, they adopt this physical blueprint and learn to navigate their immediate surroundings with care, comfort and ease. Upon this foundation, and with practice, there grows and innate awareness of the rhythms of the day: work cycle, lessons, specials, recess, lunch, etc. This recognition of the looping circles present in our daily lives connecting day-to-day, week-to-week, month-to-month, etc. is a critically significant component of a successful Montessori classroom. From a child’s perspective freedom, used wisely, requires a thoughtful awareness of the dynamic parameters of one’s potential experience.

Within this primed atmosphere, the choices that a Montessori teacher makes when designing the flow of lessons can dramatically extend the students’ collected, holistic view of their school day experience. The conscious use of lessons that emphasize a circular completeness, both as individual works and as continuing themes, further instills in children the interdependence of their studies.

The task of the Montessori teacher is to frame individual lessons within the larger concepts that revisit the idea of the unified wholeness of a circle. Our cultural studies drive these thematic units, encompassing language and mathematics from this foundation. While competency is a priority it is not the ultimate measure of achievement. Beyond static academic assessment, the principle objective of this work is for teachers to learn to authentically foster the children’s intimate awareness of the cosmos and their place in it. 

(Image source: www. ensomagazine.com)

E Pluribus Unum: The Mighty Work of Chris Jordan

E Pluribus Unum, 2010     24 x 24 feet, laser etched onto aluminum panels

 

Concept and design: Chris Jordan   

Computing and design: Craig S. Kaplan, University of Waterloo, Ontario, Canada

Organizations database research: Paul Hawken

 

 

 

 

 

 

 

 

I came to the work of artist Chris Jordan quite by surprise.
 
Years ago, working in a new classroom, I was challenged to inspire my students to realize the full effect of their social interactions - much of which, at the time, were hurtful. In an effort to deepen their understanding of the magnitude of their actions, I went searching for data - figures so large and incomprehensible that the shear number of digits presented would leave the children spellbound, and incite them to change their behaviors. My attempt was to intellectually connect the results of our challenging classroom dynamics to the broader consequences of human action outside of school. 

What I found was that, much like the films of Godfrey Reggio, so much can be said without words: it's the images themselves that tell the story, and more. I was reminded of the powerful simplicity of a Montessori impressionistic lesson. Could I, using an alternative medium, engender such an effect and thirst for more information?

My introduction to Jordan's work was through his mesmerizing and haunting series Running the Numbers, a look at consumption and excess in the United States. I was transfixed. Image after image left me speechless. As I collected these images and prepared them to present to my class, I was deeply moved - invigorated even - by what I was seeing. 

What changed in me was that I, too, had to shift. I, as my students' guide, had to reflect as deeply as I was asking them to. What was it about my craft that was not yet aligning with my students' needs?

And I came to this: Our practice is our potential. 

The last piece of Jordan's that I was introduced to further rooted this notion. In E Pluribus Unum Jordan "depicts the names of one million organizations around the world that are devoted to peace, environmental stewardship, social justice, and the preservation of diverse and indigenous culture." In this work I saw and felt the power of many doing what is right. As I repeatedly clicked on the initial image, I was transported through a dense and lacy spirograph to the realization that each of the strands was made from the names of groups striving to make the world a better place.

In this work, I had found the balanced perspective that I - and my students - needed. Yes, we were working through a hard time. And, yes, there were behaviors that needed to be highlighted and changed. As importantly, however, was the positive notion that change was possible and powerful.

How We Know What We Know: The Assessment Wheel

Parents in a public Montessori elementary program will often ask their child’s teacher how they know what they know about their students. In the absence of regular quizzes and tests, many wonder where in the day teachers actually assess their students and plan for next steps.

The answer is always! In a Montessori environment the teacher works in concert with the children to drive the curriculum. While we naturally follow a rich scope and sequence for teaching across the content areas, we are also constantly assessing to see: (1) if the content is resonating with each child, and how; (2) where each child’s own interests reside and how to support this self-discovery; and, (3) in what other ways content can be shared with children so that learners of all styles can find meaning in their work. This process of Scientific Observation is the cornerstone of assessment in a Montessori environment.

We also collect data in more familiar ways: reception to lessons, follow-up work, and from on-going portfolio development derived from teacher-led presentations and self-directed student explorations. This is Formative Assessment, progress monitoring along the way to check for mastery and understanding.

At year’s end we look to large cumulative projects, ones that demand skill from multiple content areas, to show us how children are connecting the many concepts woven together in the curriculum. Such Summative Assessment gives us a measure of a child’s growth through the year. In public schools, students also sit for the annual state exam, the results of which tell us how our students’ demonstrated test-knowledge compares to their peers statewide. These scores, however, need to be tempered by the fact that in a Montessori environment we “follow the child”; that is, we teach them concepts when they are ready, not because it’s on the calendar.

The Montessori teacher is an artist - trained in noticing the cognitive, emotional, social, and behavioral needs of children. We are constantly assessing a child's position along her/his own arc of educational understanding, and adjusting our practices to best meet them when they’re ready to learn. 

 

Ubiquitous: Celebrating Nature's Survivors

  

 

While perusing my local library’s children’s section, I found a wonderful collection of playful poems, insightful science and glorious artwork. In Ubiquitous: Celebrating Nature’s Survivors, written by Joyce Sidman and illustrated by Beckie Prange, the reader is treated to an engrossing portfolio of fourteen success stories from the timeline of life.

    

I was spellbound just opening the book to the endpapers. What greeted me was an impressionistic illustration of the history of life on Earth. Using 46 meters of cotton string and the brilliant colors of the rainbow, Prange recreates and elaborates upon the Long Black Line. Rather than stretching down a long hall, or across a field, this timeline bends and swirls to fit within a much smaller space. Interestingly, the effect is as profound, held in our very hands.

With each page I was drawn deeper, continuously fascinated by the discoveries I was making – new knowledge about organisms, some of whom I thought I knew quite well.

But that’s part of the magic, right? To allow for and celebrate the known becoming new and strange again.

I greatly appreciated how Sidman and Prange chose, for some of their examples, species that are more often maligned than revered. How refreshing to see a positive and inquisitive voice brought to grasses, crows, dandelions and coyotes. In an age where the pursuit of ease and cleanliness seems to be paramount for many adults, to find in this book organisms often given a bad reputation for being irritating or troublesome was especially gratifying.

As with contemporary compendiums on topics of nature and survival, this book too also brings to light some of the present dangers that threaten the species highlighted within. Sidman’s text, however, is well balanced – allowing for the notation of real threats without resorting lambasting humans outright – for nothing is quite that simple.

The final line offers both the hope and challenge that humans bear:

“Our cooperative nature leads to acts of great kindness and compassion, while our competitiveness – combined with a tendency to crowd out other species – makes us one of the most destructive species on earth.”

I invite you to add Ubiquitous to your classroom collection. It will enchant readers of any age, and provide for the possibility of great discussions on our place and role in it all.

Enjoy!

Ubiquitous: Celebrating Nature’s Survivors (ISBN: 978-0-618-71719-4)